The third workshop marked the transition from experiment to structure, being dedicated to real-time testing of the workflow between body, text, and avatar. After accumulating material from the previous stages, the team moved on to a more complex level of integration, in which movement, voice, and digital image were required to function synchronously, at the same scenic rhythm. The main objective was the rapid development of hybrid micro-scenarios, combining live stage performance with pre-recorded video material. On the first day, an archive of movements, voices, and images was built for each avatar, which served as the basis for subsequent dramaturgical experiments. Actors, playwrights, graphic designers, and directors worked simultaneously, each intervening on a different layer of the stage product: physical, textual, visual-spatial, and conceptual. The second day was dedicated to an experimental script laboratory, in which several narrative configurations were tested: live actor with pre-recorded avatar, live voice with full digital projection, as well as exclusively digital sequences, without human activity on stage. The central interest was to observe how meaning appears, shifts, or dissolves between the real body and the digital body, between movement and image, between silence and sound. On the third day, the resulting fragments were assembled into a 5-7 minute stage prototype, a pilot montage that tested the possibility of constructing a coherent hybrid presence, in which we tested the possibility of constructing a coherent hybrid presence, in which the actor and the avatar share the same time and the same stage space.